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basics of barbershopping explained

What is Barbershop?

The basics of barbershopping are explained in this article. Barbershop groups can be characterized by harmonies with four voice parts. Those exclusively being tenor, “lead” (carrying the melody), baritone and bass. The first thing to know is that there are styles of music that includes multiple voice. Those parts may include countertenor, tenor, baritone, and bass. Next, the terms soprano, mezzo-soprano, and contralto typically apply to the female voice. Men have been known to be capable of also singing those higher voice parts. Lastly, barbershop music is sung or performed a cappella or unaccompanied.

Barbershop Techniques

Techniques in barbershop music include:

  • Being on pitch or in the tonal center
  • Different time signatures/key changes during a piece
  • Syncopation
  • Synchronization of word sounds
  • Volume and/or tempo changes
  • Major chords, minor chords and especially those considered “barbershop chords” 

Barbershop Origins

The origins of barbershop music and style of singing date back likely to as early as the mid to late 1800’s. The history of barbershop singing includes jazz, ragtime, and spiritual music. The biggest emphasis in barbershop style arrangements are placed on chords and octaves. 

Barbershop Popularity

As a style, barbershop music is not as popular as it has been in the past. That being said, there are still many people young and old that enjoy it. The barbershop style continues to be a form of music popularized by movies, TV shows, and popular figures like politicians and actors. See our article on Barbershop in Popular Culture to learn more.

Read on to find out more of the music theory and devices used in the a cappella singing of Barbershop music. Naturally, we also use a wide range of music theory and devices besides the techniques listed here. 

Chords

The basics of barbershopping should always include a discussion and explanation of chords. In the simplest of terms, barbershop chords are notes that create a harmonic effect. This happens because the singers blend and combine the frequencies of the notes sung. When specific notes are combined they can create an amplification where listeners hear specific overtones. Not all musical instruments can create this effect; but the human voice can and does. 

Major Chords

These are the chords that are the most common and most popular within the barbershop singing community. To sing a chord, the singers need a root, a third, and a fifth (which of course are only 3 notes, not 4). Usually the fourth singer doubles up and sings the root or the fifth note. 

Barbershop harmony is the most exact type of music because the three voices that accompany the lead in a Grade A quartet vary the tone level to give the right pitch on each tone. Believe it or not, those accompanying voices MUST vary the pitch of various tones depending upon their voice position in the chord. This may seem confusing to those who consider that a piano in perfect tune is an exact instrument. Actually four voices can produce much close and more perfect harmony than four notes on a piano.

Minor Chords

Like the major chord, the minor includes the same notes. The difference is in the third which is sung as a minor third or approximately a half step down.  

Stomp Progression

The Stomp progression is an eight-bar chord progression that originated in “King Porter Stomp” (1923) by Jelly Roll Morton. A song with a stomp will have a driving rhythm and beat with a fast tempo. 

Barbershop Sevenths

This is the most common chord in Barbershop. It includes the three same notes from the major chord plus a fourth note, the seventh in a linear row of notes. 

Major Sevenths

This chord is characterized by a close harmony of notes with one semi note between them. 

The basics of barbershopping also includes an introduction into the four parts or voices in the barbershop style of a cappella music: tenor, lead, baritone, and bass.

Tenors

Males singing the tenor part is the highest part in barbershop music. Tenors spend most of their time singing in falsetto.

Lead

A leads is a singer mostly responsible for singing the melody. In barbershop, other parts may interchange with the leads and take the melody for usually brief periods of time. 

Baritones

A baritone sings mostly between the bass line and the tenors. Baritones sing a wide range of high and low notes. 

Bass

A bass singer sings and provide the bass line and backbeat.

Pick Ups

An impromptu quartet where the singers don’t necessarily know each other.

Harmony Brigades

These are a rally event where barbershop singers with quartet experience get together over a weekend to compete. These events are by invite only because they want people with significant quartet experiences that are vocally capable of learning and singing a wide range of challenging arrangements. The participants form impromptu quartets, compete against each other, and perform as a chorus for a public show. 

Swipes

When one or more parts change pitch while the other parts hold their pitch.

Snakes

When the lead holds the note while the other parts scoop or swipe to the next note and then slide to the next note again.

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